A portrait of a missing girl, inspired by a one-inch square black and white image printed on a "Have you Seen me?" mailer.
This one looks so polite to me, as if it were a school photo. Her smile and care-free expression was heartbreaking to paint. Zoom in on the face and her skin...
I've just been looking through you gallery, and I must say that these are wonderful. Brilliantly skillful, so wonderfully textured and with such a story behind them!
In a way, it reminds me of an art exhibition we had here (in Perth, Western Australia) called 'Raised By Wolves', which left me with a chilling feeling of lonliness and sadness, and yet some extra element of feeling that I can't quite describe.
I've noticed that a lot of your portraits seem to have especially detailed and clear eyes, in contrast with the rest of them (as seen in this girl) - was this intentional on your part, or did it just emerge in the process?
All that aside, stunning paintings and I think it's a really inspired and deep project you've set out on here.
All of these missing child portraits are painted from the photos on mailers or fliers asking for help locating the children. The photos are monochrome, and about an inch (2 centimeters ) high.
I place the canvas before me, and HOLD the flier in my left hand. in my right, I hold my palette knife.
Some portraits unfold after a few hours . They emerge directly, boldly.
Most go quite astray, or evolve with much more complexity. When the portraits go this road, I must be patient...
In these cases, the portraits take thirty or forty sessions of applying, scraping, rebuilding, wiping, and redrawing, ( all with my palette knife or a stick.) I set them up in my studio, and observe them throughout the week, or weeks, until they seem "right."
Sometimes that "rightness" means "structurally" sound, with solid planes, correct spacial drawing, and all of the requirements a proper drawing may hinge upon...
But hete is the thing,the thing that fascinates and confounds me:
very often, it is the unresolved tension, the shimmering edges, the seemingly unexplainable "wrongness" that creates the portraits strength...
( Elsewise I would be proficiently griding or projecting these images and calmly shading them to my heart's desire.
No. That would not reflect the complexity and situation of each child.
Along the way, this is what I have learned: A person should be painted in such a way that reflects that individual person- their energy, their life, their circumstance. A portrait need not only reflect the way a person appears before our eyes.
That, is the definition of expressionism. After painting four hundred missing children, each one turning up differently on my easel, I can say that "Painting" is so vast, so varied, so much bigger than me, that it leads me to say that it seems to be a vehicle akin to prayer...
NOT the kind of prayer wet each children to mumble before eating their supper. I mean the prayers we create for ourselves when we are numb with fear, washed over by searing love, or calm, quiet and at peace.
The eyes compel me because they are always blurred or tiny specs in the photos. I lavish them with attention because I know that you, as a viewer will thirst for that... because I thirst for it too. We are all the same. Every country, culture... we thirst for those eyes.
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 5 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
Although `DEVlANT joined our community only a year ago, he's made sure to make his mark in as many ways as possible. From extensive bug testing around the site, to heading up the now infamous #devBUG Group, Martin's always eager to get involved. His inquisitive mind and enthusiastic personality is reflected in every part of the community which he reaches out to. Always eager to bring suggestions and feedback to us in a positive way, `DEVlANT shows a maturity way beyond his years. It's with great pleasure that we award very first Deviousness of 2010 t... Read More
Comments
Greatz tobias
optical fidelity and expressive desire.
--
Paint the Truth.
In a way, it reminds me of an art exhibition we had here (in Perth, Western Australia) called 'Raised By Wolves', which left me with a chilling feeling of lonliness and sadness, and yet some extra element of feeling that I can't quite describe.
I've noticed that a lot of your portraits seem to have especially detailed and clear eyes, in contrast with the rest of them (as seen in this girl) - was this intentional on your part, or did it just emerge in the process?
All that aside, stunning paintings and I think it's a really inspired and deep project you've set out on here.
--
One man's meat is another man's poison.
I place the canvas before me, and HOLD the flier in my left hand. in my right, I hold my palette knife.
Some portraits unfold after a few hours . They emerge directly, boldly.
Most go quite astray, or evolve with much more
complexity. When the portraits go this road, I must be patient...
In these cases, the portraits take thirty or forty sessions of applying, scraping, rebuilding, wiping, and redrawing,
( all with my palette knife or a stick.) I set them up in my studio, and observe them throughout the week, or weeks, until they seem "right."
Sometimes that "rightness" means "structurally" sound, with solid planes, correct spacial drawing, and all of the requirements a proper drawing may hinge upon...
But hete is the thing,the thing that fascinates and confounds me:
very often, it is the unresolved tension, the shimmering edges, the seemingly unexplainable "wrongness" that creates the portraits strength...
( Elsewise I would be proficiently griding or projecting these images and calmly shading them to my heart's desire.
No. That would not reflect the complexity and situation of each child.
Along the way, this is what I have learned: A person should be painted in such a way that reflects that individual person- their energy, their life, their circumstance. A portrait need not only reflect the way a person appears before our eyes.
That, is the definition of expressionism.
After painting four hundred missing children, each one turning up differently on my easel, I can say that "Painting" is so vast, so varied, so much bigger than me, that it leads me to say that it seems to be a vehicle akin to prayer...
NOT the kind of prayer wet each children to mumble before eating their supper. I mean the prayers we create for ourselves when we are numb with fear, washed over by searing love, or calm, quiet and at peace.
The eyes compel me because they are always blurred or tiny specs in the photos. I lavish them with attention because I know that you, as a viewer will thirst for that... because I thirst for it too. We are all the same. Every country, culture... we thirst for those eyes.
--
Paint the Truth.
Eyes truly are windows to the soul, aren't they?
They can speak volumes about a person and can convey any emotion.
I'm very glad to have seen your gallery. This is an incredible thing that you are doing.
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"Some people look at what is and ask why. I prefer to dream of what has never been and ask why not."
- Spaced
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I'm not an artist, but a writer. My story isn't ready to be up loaded but will be soon!
......
I believe in Jesus Christ as my Savior. If you do too and aren't scared to admit it, then copy and paste this in your signature.
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1234ICount1234WhenI'm1234Nervous
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Paint the Truth.
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