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©2008-2010 `johnpaulthornton
:iconjohnpaulthornton:

Artist's Comments

The question is... How to communicate flesh under distress?

This is a portrait of a missing boy, painted in oil.

It was Inspired by the one inch square black and white image on a "Have you seen me?" mailer.

Who is this portrait really for?

Comments


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:iconjadedlady:
The colors in this one are fantastic! The technique that you use has such impressive results.
:iconsquidproquo:
I agree, the colours are amazing.

Who are these portraits for?
What do you do with them when they're done?

To me, you paint them for your own need, because I think you feel that you would want someone to think about in such away after you were gone.

You really do amaze me.

--
dA: your one stop shop for child porn and shitty anime.
:iconjohnpaulthornton:
Your comments and insights are always very thoughtful. I greatly appreciate that.

Thank you.

--
Paint the Truth.
:iconjohnpaulthornton:
Thank you. Color can be restrictive for painters, like walking slowly across a room at a charm school, carefully balancing a book upon your head...

But I prefer to use color as a weapon.

--
Paint the Truth.
:iconjadedlady:
I like the way your mind works. :)
:iconjohnpaulthornton:
Thank you. This missing child required thousands of tiny marks, many passes. Sometimes the image got too clear, sometimes too soft. This best describes the quality of the image I was working from.

--
Paint the Truth.
:icongromyko:
there is something in the colors that hypnotized me...I love the fact that it is impasto, otherwise many would have mislabeled your art as faux impressionism...there i would disagee and defend you to the death...yours are an expressionism of personal warmth and concern...i will always be an admirer of your portraits

--
:headbang:
"The Reality of Dreams is the Dream of Reality"
~EmptyHeads
=the-surreal-arts
~IIAAProject
=philippines
*visionaryartists
*CollaborativeCorpse
*TheExquisiteCorpse
*SurrealSociety
:iconjohnpaulthornton:
Thank you.

--
Paint the Truth.

Details

June 4, 2008
1.9 MB
213 KB
600×751

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